Tuesday, 17 September 2013

WEDDING STORY - DAVE & MARIET




 Dave & Mariet’s Wedding Story Book


June 23, 2013. Pretoria-







Not every wedding starts with a poem as every wedding has a sequence of events – those precious moments in time which starts from the moment you start to plan your wedding.

Naomi. E Photography and Ngonyama Photography had the task to capture special moments during the wedding day of Dave and Mariet on camera – real timeless moments. 




Every wedding is unique with its own thrills and stress and if you know the couple before the wedding your chances of capturing tender moments just increases.




After careful planning and a pre-shoot at the wedding venue, De Haven Oost Wedding Venue, just on the Cullinan/Bronkhorstspruit crossing just off the N4, it was time for Dave & Mariet to get married.



My partner, Naomi Myburgh, and I work together as a team but trade under the names Naomi. E Photography and Ngonyama Photography, respectively . 



We had a shooting list of the essential photos, but had to create a Funky fun booth as the couple thought it would be fun to have their guests taking photos with all sort of funny attire and props. The wedding venue fortunately had a built in “photo booth” on the side of the dance area which we could use.

Just before 13:00 we left our home as the venue was not far away from us and arrived there just after 13:00, although the wedding ceremony was scheduled for 15:00. Mariet, the bride, was already dressed with her make-up nearly finished. She was radiant and looked stunning in her wedding dress. Naomi immediately started with the dress and make-up photos while I tackled the Reception area, Chapel and surroundings.

We got a message that Dave was on his way and would arrive around 14:00 which placed us under pressure to finalize some of our photos. Obviously the bride was nervous to get this part of the photo shoot over as she did not want Dave or the guests to see her in her wedding gown before the ceremony. Johan, the wedding dress designer, was fiddling around to have everything in perfect position for our photos. 



The Bride and her bride’s maids wore boots, yes real western-style boots and with the laced dress it made a very good picture, actually it gave us the opportunity for stunning photos.
 



  I popped in at the “Bridal Suite” for a couple of photos of the bride and her entourage.




Dave arrived after 14:30 which left me with little time to photograph him and his groomsmen. We did a fun setup at the Chapel where the groomsmen were “pushing the Chapel doors” to keep the groom inside.




Nikita van Heerden, one of the owners of De Haven Oost Wedding Venue, acted as wedding coordinator and marshalled her troops and the guests so that the proceedings could start on the scheduled time.




The Chapel is unique as its exterior is covered with corrugated iron sheets giving it the feeling of yesteryear. Most of the buildings and contemporary art works were done by Neville van Heerden, one of the members of this family owned and run business. The bell outside is huge – it is larger than most church bells and has a pleasant sound to it.

During a pre-shoot meeting we met Nikita and her team and arranged to check out an old dairy farm ruins nearby – this was an ideal setting for a shoot but it left us with little time to catch the available light on the day of the wedding. We only had a window of 45 minutes for our photos at the ruins.




Just after 15:00 the big bell rang 3 times –the entourage were lined up and a last minute make=up and shuffling of the dress and veil were made. The Bride’s mother lead her into the Chapel. The aisle was strewn with dead leaves and white flowers and at the end the Reverent and the Groom was waiting.




Instead of confetti they had the leaves of red roses in old type of buckets just outside the exit.




The marriage ceremony in the Chapel was on time and just before 16:00 the newlyweds appeared [fortunately I arranged with the guests to throw the rose leaves in the air and not at the couple and this gave us some stunning photos].

Now it was the time for the “cutting of the cake” and a photo shoot of it, but the sun was setting and we still needed time to get to the dairy ruins. Lucky for us it was only a 5 minutes drive away.




The one thing I loved about the shoot at the ruins was that it was only the professional photographers on the scene where we could setup our shots as we deemed fit. 



The access road had a new layer of tar since our pre-shoot visit and we stopped quickly for a couple of shots before proceeding to the ruins. Here we took out our two-seater bench and set it up. We only had 45 minutes and the sun was setting. We had a couple of poses we wanted to photograph and managed to get all our photos, including the silhouettes. 



Just after 17:00 we were back at the venue in time for the reception. With the approaching “super-moon” we concluded the formal group photos.




Between the potato and leek soup starters and the dinner [a real “boere-kos” dinner] all the traditional speeches were made.



The dance hall is a separate area next to the area where the reception was held and as I was taking my light metering I noticed the DJ, Martin de Jager [the in-house DJ], had a smoke machine so I organized with him to create a smoke column for the “first couple’s dance” . The smoke had the desired effect.




We thought our “photo booth” with all the props we brought along was not going to get enough attention – we were pleasantly surprised as the newlyweds used it to get photos with their guests. It was so popular that the guests used the different props and different “poses” for an array of fun photos. This fun and funky shoot extended beyond our contracted hours.




After we packed up and in the car we at last had time to lift our feet and have beer. What a wonderful wedding we were fortunate to record and we hope the memories we’ve recorded will last a lifetime.



















 Associates/vendors/suppliers for this project:

Photographers:

· Naomi.e Photography [Naomi Myburgh] cell 0837573713 web: http://www.naomimyburgh.wix.com/naomiephotography Facebook www.facebook.com/naomiephotography email: naomi.myburgh@gmail.com

· Ngonyama Photography [Loftus Viljoen] cell 0844410333 web: http://i33923.wix.com/ngonyamaphotography1 Facebook www.facebook.com/NgonyamaPhotography Blogspot: http://qqafricaphotography.blogspot.com/ email loftus@ngonyamarentals.co.za 


Venue: [Wedding coordinator, Chapel, Reception, flowers, catering, DJ]:
· Nikita van Heerden, De Haven Oost Wedding Venue, Nikita van Heerden 071 671 51 76 Cell 082 384 7949, 39 Kaalfontein, 1001 Rayton, Gauteng, South Africa Web: http://dehavenoost.co.za/ Facebook www.facebook.com/pages/De-Haven-Oost-Wedding-Venue/171251052934844 email: events@dehavenoost.co.za

©2013 Loftus



Sunday, 9 June 2013

AIRPLANE GRAVEYARD - A PHOTO REPORTAGE

A VISIT TO:

THE AIRPLANE GRAVEYARD –
a photo shoot reportage

Story and article by Loftus Viljoen [©Loftus Viljoen t/a qq Africa Photography & Ngonyama Photography]


Lanseria International Airport is situated between Pretoria and Muldersdrift [close to Krugersdorp] to the west of Pretoria. After seeing a couple of photos of the “airplane graveyard” posted on the social media and blogs I thought this is something what I wanted to do.

"The Last Requiem"

As part of a Facebook group of photographers I asked the question who wanted to join me on such a shoot. As always you have a large number of people responding positively and without thinking, but the arranging and organizing the shoot fell squarely on my shoulders. As soon as photographers hear they must pay for a location shoot the “yeahs” numbers fall dramatically, be as it may it did not deter me and I took the risk.
Some shoots are simple one-offs and for me a steam train shoot, graffiti shoot and an aeroplane graveyard shoot are examples of  fun shoots are unlikely to be repeated, unless I am specifically commissioned to do a photo shoot.

"1-2-3"


My biggest trouble was getting to the right persons in charge and telling them who we are and what we wanted to do. The shoot was possible but full details of everyone involved, from photographer to model to assistant was required as the area where the “graveyard” was located was close to a runway on a corner of the airport and they did not wanted anyone wandering around without supervision.




After we got through all the red tape [security issues and setting the date] and paying them  their  fees which amounted to R1,700.00 we were ready for the shoot on autumn Sunday in April.  So if you ever working with a group make sure that the costs are shared otherwise you will end up paying in the difference.



We arranged to meet the group and the security at the parking lot and under escort we proceeded to the “graveyard” where they left us with a security guard whose duties was to make sure that nobody wanders off to  restricted areas.


I thought there was just a couple of “old planes” but to my surprise there were more than 20 of them in various stages of derelict.

Mystery Woman in cockpit
Boarding pass

   
Some of the photographers used the opportunity to do family shoots, some did model shoots and others did just  any shoot. I was lucky to have my partner and co-photographer to play model for me. Using the old planes as a backdrop can help you creating beautiful images.

Fire Drill Plane

 
At the end [or is it the beginning?] of the area where the graveyard it, there is an area set aside for “fire drill” exercises by the aviation and probably the local fire brigade and emergency services. I would have loved to photograph such a “drill” – would have been very dramatic.

Picnic during a shoot


With  all the “ole flying birds” around has that same feeling as letting a kid loose in a sweets shop – you simply do not know where to start.  Lucky for me I had an advantage on the other  photographers – I did a recce a couple of weeks before to check out the scene so I opted  for a large cargo plane where I saw that the hull was completely still intact and which will have the best photo opportunities.

Instrument controls 
Crash Landing
Landing Lights
"Oops"

Fortunately we could park our cars relatively close by and if you were going to shoot the whole day it is a good idea to  bring along something to eat and drink, we usually make our shooting sessions an opportunity to have a picnic. A couple of camping chairs and a camping table usually does the trick.























     
    
There is simply not enough time in a day to spend say, 30 minutes at each “wreck” or scene to set up your shots so you will have to plan your shots bearing the time of day in mind.


 
At the end of the day - a fitting finale for a wonderful photo shoot
©2013  Loftus





Friday, 31 May 2013

CHANGING THE WAY WE THINK - CANON 2013 ROADSHOW

"Changing The Way We Are Thinking"-
A review of the Canon 2013 Roadshow

By Loftus Viljoen









When you do reviews, you are looking for benchmarks or past experiences to get a fresh angle on your approach. With my last review on the Canon Expo, I nearly ended up with a gag order and retraction litigation as someone did not like my comparisons. In any case, that was a storm in a teacup and nothing came from it.

One of the 21st Century’s blessing or evils [depending how you look at it] is the one of choices. A couple of decades ago we only had two choices when choosing a product and that was either “take it or leave it!”and things changed when manufacturers started to extend their product range and this became known as “branding”.

At school I always wanted a Nikon, but when I left school in the early 70’s I only earned R150.00 per month and after my studies, lodging and car instalment were paid, there wasn’t much left. The only camera I could afford then was a Minolta SLR.  For the next about 30 years that was the brand of cameras I used. During those early years B&W 35mm was the film of choice and I had my own darkroom to develop my films and  photos. The skills we then had was to change the shades between dark and light [playing with exposure], dodge and burn etc. and then colour developing came and we had to learn what effect the blending of colour [and colour filters]  had on our images. This was all done manually and our trials and errors were an expensive exercise. Colour slides then became very popular and we changed to that format and for many years that was the format I used.



As the years moved on I graduated, set my career, got married and started a family  and so we became interested in outdoor activities, which included wildlife and nature, and scuba diving. For the latter we needed a 4x4 and we started off with a bumpy Toyota double cab 4x4 [very heavy on fuel] and after watching the Dakar Rally we saw the Mitsubishi Pajero winning this gruelling event for a couple of years in a row. So we bought ourselves a Pajero- a much softer and family friendly ride. Mitsubishi was, probably with every right to do so, very vocal about their achievements and successes. So Pajero became my brand of choice.

To share my and my elder son’s [he started diving at the age of 12] underwater experiences we needed an underwater camera and looking around we saw  that Nikon had a Nikonos 3 underwater camera and my interest in that brand was aroused again - so I bought myself one. To cut a long story short on the very first dive the seals of the Nikonos 3 failed [and no fault of mine] and I “drowned” the camera. Neither Nikon nor the dealer wanted to take responsibility for  the  defect and I had to write my Nikonos 3 off as a bad experience. A year or two later my wife passed away and that put an end to our diving adventures and it also changed our priorities for outdoor activities. After 7 years I sold the Pajero and by the time I remarried, I needed a new bigger family car and the choice fell back on a Pajero. With the Pajero came a 4x4 course and what we didn’t realise was that this were the trials for the Mitsubishi 4x4 Eco Challenge and before we could take a deep breath we were in the semi-finals in Askham in the Kalahari where the brand continued to impress me.



Our exploits in the Eco Challenge was published in a couple of magazines and this lead to the establishment of our off-road caravan and trailer rental business. At that stage there were only two manufacturers producing off-road caravans and after research we decided to stick with one for the time being. These caravans were supposed to be rugged and a rental company was the easy place to check the R&D of the caravans. This created the interest by editors in stories and reports on the equipment and on the destinations. Not long after that the other manufacturer approached us. They wanted a couple of their caravans represented in our fleet, and featured in the articles and photos as it was part of “branding”.

There is a difference between a product and a brand. A brand is made up from various products that a manufacturer has available whereas a product comprises of a single or multiple units. So when you see the adverts “Canon – you can” or “I am Nikon” or “Mitsubishi Motors” it all refers to the brand rather than a specific camera or motor vehicle. Some products may be the flagship items to promote the brand.  You will see taxis, buses, aeroplanes and even caravans branded in the colours of a specific brand [other than the manufacturer of the taxi, bus etc.] and because they are mobile, the chance that it will be seen by many consumers increases. Other branding may take the form of advertisements, bill boards and so forth.



More or less the same time we started the off-road caravan rental business, it was the dawn of the digital age and I realised that I had to upgrade from film camera to digital. I thought I will stick to Minolta who I have supported for close 30 years, but as it appeared they were taken over by Sony so I bought myself a Sony digital camera - the least I say about this experience the better, only it was very disappointing. So the time arrived for me to buy into the Nikon brand I so desperately wanted to own through the years. This drove me to the local camera dealer who sold all the available brands. Listening to me and assessing my needs for travel, wildlife and photo journalism and the fact that safaris are always prone to dust and vibrations, he simply told me “I can sell you a Nikon but what you need is a Canon because your equipment are going to need more regular service and maintenance than the ordinary camera user and at this stage Canon’s service is the best”. Practical considerations: that is how I became a Canon user – that was 10 years ago.

Brands have the way of changing the way we think and react to a product,  and the more you see and hear of a brand the more likely you will be coerced into buying a product of that brand – once in it becomes an expensive exercise to get out.  Yes, you can get frustrated with a brand and you may even change brands as a result of it – and if you get a special deal from one it may even be a financial decision rather than staying a “loyal” supporter to change brands: I am the last person to judge someone changing brands for the better of their business. Brand choice by contract is completely different to brand choice by preference. I am very sceptical about taking advice from  contracted brand users because always in the back of my mind the old Dutch proverb: “Wiens broodt men eet, diens woordt men spreekt” springs to mind when I hear them speaking from public forums.



The way of promoting brands have become a highly sophisticated business or management plan like the subtle “leaking” of information of a new product and let us use the new Canon 200-400 f4 x1.4 lens as an example. People have seen glimpses of this lens at the London  Olympics and a few lucky ones got the opportunity to field-test this lens with strict orders on secrecy and whatever they might have to say about  what the field results may yield until the official release of the lens. All the rumours under a cloud of “secrecy” has only one effect: brand awareness and interest in the product/s of that brand. Consumers awaited the release of this lens with great anticipation and although most people will never buy that lens due to its cost factor it has already done its job by heightening the interest in the brand.  A new released lens without a camera means nothing so the consumer will undoubtedly look at a camera worth its mettle to compliment the lens and start dreaming about them until the reality of the price tag kicks in and then their eyes will wander away to the other cameras and items on display. Some camera manufacturers  may also make use of workshops or courses to promote their brand or may even launch competitions – all these efforts are aimed at changing the way consumers look at their brands.




One of the ways that Canon in South Africa succeeded in keeping consumers aware of the brand was to create a prestigious and exclusive brand awareness event for the photography community called the Canon Roadshow. To be eligible to attend this show you have to be invited and if you like Canon to know of you, you had to register with them and they will send the invites out. This event has become so popular on the social calendar that within 48 hours after the invites were sent out, the Roadshows were fully booked out. This year there were 3 venues: Durban, Cape Town and Johannesburg.

Why do the Canon Roadshow stand out from all other expos, workshops or courses I have attended? First of all it is exclusive and you will not find  non-Canon products like tripods, quick release camera grips,  rapid release straps or software on display. Canon has the edge on exclusivity in respect of the  event and I reckon it is unlikely that they will participate in other shows or expos where they will lose this advantage. Secondly the Canon Roadshow is not a workshop nor a photography course in the strict sense of the word as it is unlikely that you will get a lesson of how to use your camera and a  detailed explanation of all the functions of the dials or buttons on your camera – most of the time you just get a reference to a new function on a new camera. Thirdly you will have well known photographers to inspire you with their work and presentations and they will have new material that was not published before in their presentations. This is a criticism I have against other shows, expos, workshops or courses, because they tend to have the same people using the same material and telling the same story as they did at other events – that is simply boring and uninspiring. I don’t have a problem with using the same people – it  is just them telling the same old story.



This year the Canon Roadshow attracted  a  total of 1950 bookings of which 1500 really turned up giving an attendance percentage of 77% [with Cape town achieving the best attendance percentage of more than 80%]. Unfortunately most of the 23% who did not turn up failed to cancel their bookings and by doing so deprived others who wanted to go but who were too late with their bookings.  I hope in the future that the invitees will realise that the Canon Roadshow is a prestigious event and a No-show after confirming a booking and failing to properly cancel that booking may have an influence on their future invites. I am quite sure the Marketing people at Canon is going to figure a way out to ensure a higher attendance percentage. If I have a criticism I would say that Canon should pin the dates and venues of the Roadshows  well in advance or give clear instructions on their invites so that the invitees can check their diaries.

I loved the choreography of the style of the presentation this year by Roger Machin and Abri Kriegler and how the one presentation flowed over into another. I loved to hear about the new cameras and lenses and what will suit the kids, mom or dad and about the FREE DPP software you can download bearing in mind that the latest development in editing software is that you cannot buy perpetual licences for much longer and that you need to subscribe for renewable software licences on an annual basis.



In the background one of South Africa’s top aviation photographers, Mark Mansfield, waiting for his turn to present his section on aviation photography, was using a standard Canon Powershot camera taking shots all over the place.

Earlier Craig Dutton, another presenter and one of South Africa’s leading sports action photographers, was telling us how good the 200-400mm f4 x1.4 lens, which was released just a couple of days earlier, was during the field testing at the London Olympics and how the angles or views for a shot could change so quickly just by the flip of a switch. His best had yet to come.

Most of us only take photos of aeroplanes at and during Air Shows,  but Mark Mansfield does it professionally and at aviation events all over the world. Some of the aeroplanes’ fuel bill and just keeping it flying will easily cost R20,000 or more per hour so setting up a shoot like that takes careful planning and execution. If you,  the photographer, makes a mistake or did not get the shot it will be costly. There are different types of shots and the way you could change  the layout. It was also refreshing to hear him say that he seldom uses the M mode in shooting and that one of his preferences is to shoot in Av mode. And then he describes how the little Canon Powershot camera gives him a different  view and shots in aviation photography. This made me [and many others] have another look at the Powershot camera as a backup camera.



And as they changed speakers from Mark to Craig a stunning action sports sunset photo appeared on screen and before Craig even said one word I knew [and many others attending as well] this Man Can [with a CANon]. I can’t remember seeing Craig moving around [as a matter of fact I can’t remember seeing him] I was just mesmerized by the photos on the screen and the crazy angles he used.
What do Mark and Craig have in common? They use the Canon brand and their skills to “Change the way we are looking”. Yes we will look differently to the way  we use our equipment and it changed the way we are looking at how we take our photos.



I didn’t come to the Roadshow for freebies or doing a review on it. I came to see what they can offer me in terms of “out-the-box” thinking photography wise and with that I think they succeeded: Canon, however,  also had some freebies which included a Canon Shooting Jacket for the attendees. This was an exclusive gift to the attendees. I wore mine to a coffee shop after the event and I heard one guy said to his girlfriend “Geez, that guy must be a good photographer – he’s got a Canon jacket.” Just imagine 1500 Canon Shooting Jackets out there walking through all spheres of life taking all types of photos and onlookers thinking “This must be a good photographer  - he’s got a Canon jacket!” This time Canon had their thinking hats on: brand awareness and even if one of those 1500 Shooting Jackets is using another camera everyone will look at the branded jacket.

Freebies aside, the overall impression I have of the Roadshow is that it is exclusive and with the overall content of the show it does “Change the way we are thinking.” Thinking of:
·        how we look at the brand,
·        how we look  at equipment
·        how we look at taking our photos.

You may think I am biased towards one brand against another, but I am not: some years Canon will have a better camera or lens and another year it will be Nikon’s [or whatever] turn and when it comes to brand awareness I am acutely aware of the pros and cons of both brands, but you will never find me criticising  someone for choosing the one brand above the other.

The competition for brand awareness are fierce, especially in the photography industry, so you can  expect that the rivals will come out with something special and more probably at an expo or event  where Canon will not be officially present and will use it to the “change the way the consumer think” about their brands. I will look, with interest, to see what will happen.

The photos of the  helicopters firing flares and the cover photos for Air News are  the photos taken by Mark Mansfield and published with his permission and the rest of the photos are mine and they have the central theme in common.

©2013 Loftus